For conservatory-trained jazz musicians, it's a scary job market out there. Saxophonist Dave Liebman, an NEA Jazz Master and veteran statesman, paints a bleak picture:
In the current world of jazz education, the situation vis a vis graduating more and more of the most equipped musicians in history (every year more so) in stark contrast to the scarcity of paid performance and recording opportunities has assumed epic disproportion. To deny this would be like ignoring global warming. Serious educators are and should be concerned.