Jazz and Blues

News about jazz, blues, Studio Sessions, and music samplings from jazz artists in the northwest and around the world.

In 1942, Alan Lomax discovered a community of musicians in North Mississippi, who played their own hybrid music that was unmistakably African-sounding. Called “Fife & Drum” music because of its military background, it hearkens back to post Civil War days, when this special and local tradition originated.

Although drumming is a central element of African music, drumming was generally banned during the slavery era. With restrictions easing after the War, and the availability of one-time military drums, Fife and Drum music became a key part of North Mississippi culture.

Several of Western Washington’s finest high school jazz programs and jazz professionals are showcased on KPLU School of Jazz-Volume 9, the station’s latest CD release which is the culmination of this year’s mentoring project.

"You Don’t Love Me" is a classic blues song that has roots in the 50's and is still being recorded and re-invented. Willie Cobbs, an Arkansas rice farmer, made his way to Chicago in the late 1940's, playing his blues on Maxwell Street, eventually releasing "You Don't Love Me" in 1961.

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The Jazz Journalists annual awards for musicians were announced yesterday, May 1.  

Jazz Caliente celebrates Latin Jazz winners Luciana Souza (Best Female Vocalists), Bobby Sanabria (Best Percussionist), and Edmar Casteneda (Player of Instruments Rare in Jazz of the Year).

Jack Vartoogian/FrontRowPhotos

Best known for his work with the Modern Jazz Quartet for its entire run (1952-1974), Percy Heath had only been playing bass for about four years when he joined the band.

Heath also recorded with most of the leading musicians in modern jazz, including Charlie Parker, Miles Davis, Thelonious Monk, John Coltrane and Ornette Coleman.

Justin Steyer / KPLU

Need more Jimmy?

You can listen to the wildly popular, live radio performance of Jimmy Jazzoid Rides Again below! Want to take Jimmy Jazzoid with you, wherever you go?  You can download the podcast here

Library of Congress

One of the most influential figures in American music and one of the twentieth century's best known African-American personalities, pianist, composer and bandleader Duke Ellington was, to use one of his signature phrases, "beyond category."

Bo Diddley may not have had the commercial success of some other performers, but his contributions to American musical culture are huge.

Besides his trademark "Bo Diddley beat," he had a brash sense of style, dressing in outlandish outfits, playing custom-made square guitars and generally having a lot of fun on stage. In fact, he was a key player in the transition from blues to rock and roll, using a hard-edged guitar sound that would influence Buddy Holly, The Rolling Stones and Jimi Hendrix.

Bo Diddley recorded "Before You Accuse Me" in 1957.

goldstar.com

Jazz April birthday celebrations continue on Jazz Caliente!

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The "first lady of song" Ella Fitzgerald was the most popular female jazz singer in the U.S. for more than half a century. In her lifetime, she won 13 Grammy awards and sold more than 40 million albums.

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Influenced by Lester Young initially, then by Sonny Rollins and John Coltrane, Joe Henderson created his own unique sound. 

William Gottlieb / The Library of Congress

The advent of bebop added a fresh sound to American music. It also added new voices to some metropolitan radio stations: the late-night jazz DJs who specialized in presenting this new music to their fellow hipster nightflies. To recognize the work of the groundbreaking DJs who lent them critical exposure, jazz musicians of the period would occasionally write songs in their honor. Here are five of those songs.

wolfgangsvault.com

Charles Mingus was a virtuoso bass player, accomplished pianist, bandleader and composer.  Influenced both by church choirs and Duke Ellington, he studied double bass and composition with classical masters.

Repression of African Americans didn’t stop at the end of the Civil War, and prisons and chain gangs were full of black people arrested for minor violations. This song, “Another Man Done Gone”, tells of the death of a man on one of those chain gangs.

Folklorist Alan Lomax recorded Vera Hall singing “Another Man Done Gone” in 1940, and praised her as having the "loveliest untrained voice [he] had ever recorded."

chipboaz.com

We've been celebrating Jazz April (Jazz Appreciation Month + International Jazz Day April 30) by posting birthday remembrances of the legendary jazz artists who were born this month.

Latin Jazz innovators, percussionists and bandleaders are well-represented in April too: 

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