Jazz and Blues

News about jazz, blues, Studio Sessions, and music samplings from jazz artists in the northwest and around the world.

Otis Rush brought such passion and emotion to his singing and guitar playing that his music has been called “frighteningly intense”. Rush never achieved the commercial success that he might have, but along with Buddy Guy and Magic Sam, he is acknowledged to be one of the architects of the Chicago blues sound of the 1950’s and 1960’s.

youtube.com

Latin Jazz pianist Hilton Ruiz died in New Orleans in 2006 from unexplained injuries.  He left behind an unfinished musical project that was to have benefited Hurricane Katrina victims.

Marco Matute has launched a PledgeMusic project that will produce the CD that Hilton intended, along with a documentary film about Hilton Ruiz.  Here's a preview of the film.  And here's some of Hilton's music:

Ken Thomas

The Legend of John Henry is an iconic myth of American railroad history, a battle between man and steam drill. One of the intriguing things about the legend is that no one knows for sure if John Henry existed. At least part of the myth is based  on historical events from the mid-1800’s; some say the source lies in Alabama, others point to West Virginia, both places where significant railroad tunnels were dug.

Sonny Boy Williamson was a blues originator who helped shape the sound of modern blues. In his life, he knew the first generation of Delta bluesmen, and would go on to see the birth of modern rock music. He played with Robert Johnson in the 1930’s, and with Eric Clapton in the 1960’s.

He was a major radio star in the 1940’s on King Biscuit Time, America’s first live blues radio show. He wrote dozens of songs that became blues standards, notably “Help Me” and “Eyesight to the Blind." He recorded “Bring It On Home” in 1963, but didn’t release it until 1966.

wikipedia

To be released this spring (date TBD): Gonzalo Rubalcaba's Volcan

This band is comprised of musical masters, experienced bandleaders and good friends:  Jose Armando Gola-bass, Horacio “El Negro” Hernandez-drums, Giovanni  Hidalgo-congas and Gonzalo Rubalcaba-piano.

Charley Patton

Charley Patton is considered by many to be the father of Delta Blues. What does that actually mean? A combination of location, timing and talent, put him at the leading edge of the new musical direction of the 1920s. He was one of, if not the first, to play what we might recognize as blues.

Kathleen Gillette

Two upcoming not-to-be missed performances of Latin jazz, Seattle-style:

Thursday May 16 (tonight)  Tula's, 2214 Second Avenue  Fred Hoadley's Sonando

Essentially Ellington's Facebook page

Three area high schools jazz bands are in New York this weekend to compete in the 18th annual Essentially Ellington Festival, the most prestigious high school jazz band competition in the country. 

Edmonds-Woodway High School, as well as bands from Seattle's Garfield and Roosevelt high schools are among the 15 national finalists from across the U.S. and Canada. 

In 1942, Alan Lomax discovered a community of musicians in North Mississippi, who played their own hybrid music that was unmistakably African-sounding. Called “Fife & Drum” music because of its military background, it hearkens back to post Civil War days, when this special and local tradition originated.

Although drumming is a central element of African music, drumming was generally banned during the slavery era. With restrictions easing after the War, and the availability of one-time military drums, Fife and Drum music became a key part of North Mississippi culture.

Several of Western Washington’s finest high school jazz programs and jazz professionals are showcased on KPLU School of Jazz-Volume 9, the station’s latest CD release which is the culmination of this year’s mentoring project.

"You Don’t Love Me" is a classic blues song that has roots in the 50's and is still being recorded and re-invented. Willie Cobbs, an Arkansas rice farmer, made his way to Chicago in the late 1940's, playing his blues on Maxwell Street, eventually releasing "You Don't Love Me" in 1961.

wikipedia

The Jazz Journalists annual awards for musicians were announced yesterday, May 1.  

Jazz Caliente celebrates Latin Jazz winners Luciana Souza (Best Female Vocalists), Bobby Sanabria (Best Percussionist), and Edmar Casteneda (Player of Instruments Rare in Jazz of the Year).

Jack Vartoogian/FrontRowPhotos

Best known for his work with the Modern Jazz Quartet for its entire run (1952-1974), Percy Heath had only been playing bass for about four years when he joined the band.

Heath also recorded with most of the leading musicians in modern jazz, including Charlie Parker, Miles Davis, Thelonious Monk, John Coltrane and Ornette Coleman.

Justin Steyer / KPLU

Need more Jimmy?

You can listen to the wildly popular, live radio performance of Jimmy Jazzoid Rides Again below! Want to take Jimmy Jazzoid with you, wherever you go?  You can download the podcast here

Library of Congress

One of the most influential figures in American music and one of the twentieth century's best known African-American personalities, pianist, composer and bandleader Duke Ellington was, to use one of his signature phrases, "beyond category."

Pages