Jazz and Blues

News about jazz, blues, Studio Sessions, and music samplings from jazz artists in the northwest and around the world.

David Sproule

Cuban-born pianist, composer and bandleader Omar Sosa received a lifetime achievement award from the Smithsonian Associates in Washington, DC in 2003 for his contribution to the development of Latin jazz in the United States.  His latest CD Eggun (spirit guides) grew from a commission by the Barcelona Jazz Festival in 2009.  The idea was to pay tribute to Miles Davis’ seminal album, Kind of Blue, on its 50th anniversary.

Robert Johnson has become a mythical figure of the blues, who acquired his prodigious skills in a deal with the devil at the crossroads. The truth is he was a man who worked very hard to turn himself into a musician. His early attempts at music – sitting in with legends Charley Patton and Son House—were not successful, and he didn’t appear to have much in the way of musical talent.

But then Johnson found a teacher in Ike Zinneman, an unrecorded Mississippi blues player, spending a year developing his musicianship.

It’s hard to trace the exact source of “Crow Jane”, but it’s a song that has outlasted many others from the early days of the blues. Its roots lay in the Piedmont region of Virginia and North and South Carolina. Rev. Gary Davis was known to perform it during the 1920’s, and the first recording was made in 1927 by guitarist Julius Daniels. Daniels is important partly because he was one of the first Black guitarists to record in the Southeast, inspiring others to follow.

Tacoma-based saxophonist Kareem Kandi brought his band to the Art Of Jazz Series at The Seattle Art Museum this month and played a hard-swinging concert enjoyed by an enthusiastic audience that filled Brotman Forum at SAM.  Saxophonist Kreem Kandi was joined by B3 organist Delvon Lamarr and drummer Adam Kessler in a classic organ trio performance that included standards and originals.  

The Mississippi Sheiks were a popular string band of the 1920’s and 30’s, with a sound that was a crossover between country music and blues. Though Mississippi-based, their music differed from delta blues in some important ways.

bunky's pickle

Female instrumentalists of all types have been part of jazz since its inception, but for the most part, they have been erased from the history of the music. The film "Lady Be Good: Instrumental Women in Jazz" intends to put the spotlight on the many talented women who have nearly been forgotten.

Jamie Tanaka, sfjazz.org

The SFJAZZ Collective is an all-star jazz ensemble comprising eight of the finest performer/composers at work in jazz today.  Launched in 2004,  the ensemble annually performs a new list of compositions by a modern jazz master and new pieces by the Collective members.

This iconic hard-luck song was a hit when Bessie Smith recorded it in 1929, and with its timeless message and memorable melody, “Nobody Knows You When You’re Down And Out” has been a favorite for singers in almost every genre including jazz, blues, folk and rock. Bessie Smith was the most popular female jazz and blues singer of the 1920’s, and the highest paid black entertainer of the day. Known as “The Empress of the Blues”, she often worked with the top tier players in the business, including Louis Armstrong, Coleman Hawkins and James P. Johnson.

dafnisonmusic.com

The Cuban-born drummer/percussionist, bandleader and composer Dafnis Prieto appears at the Earshot Jazz Festival next Thursday, October 17 at the Poncho Concert Hall at Cornish College for the Arts, with his Si o Si Quartet:  Peter Apfelbaum (saxophone/melodica/caxixi), Robert Rodriguez (piano) and Johannes Weidenmueller (bass).

wikipedia

Guitarist Pat Martino was a jazz and soul-jazz star since the mid-1960s, recording for the Prestige, Muse, Warner Bros. and Blue Note labels.  In 1980, after operations for a brain aneurysm, he could remember nothing.

oscarcastroneves.com

Oscar Castro Neves  1940-2013

A founding figure in the development of Bossa Nova, Brazilian guitarist, composer and arranger Oscar Castro Neves died on September 27. 

Cars make great musical metaphors, and they’ve inspired some famous blues songs like “Cadillac Boogie”, “Maybelline” and “Mustang Sally”. K.C. Douglas came out with “Mercury Boogie” in 1949, a song that would go on to be a widely covered blues standard, known as “Mercury Blues”. Ford purchased the rights to the song for advertising (“Crazy ‘Bout a Ford Truck”), and it was a #2 hit for country singer Alan Jackson in 1993.

SFJazz

For the next few weeks on the Jazz Caliente blog, I'll feature previews of the Latin jazz artists appearing at this year's Earshot Jazz Festival, October 1 through November 17.

Justin Steyer / KPLU

Jazz pianist and composer Vijay Iyer is among this year's 24 Genius Grant winners. Iyer and 23 others fellows will each receive $625,000 over the next five years from the John D. and Catherine T. MacArthur Foundation. 

Charley Patton was one of the first to play what we might recognize as Delta blues, putting blues into a strong and syncopated rhythm. A powerful singer with an aggressive guitar style, he was also a masterful entertainer, and one of the best-known traveling performers of his time.

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