Academy Awards

Host Chris Rock made sure Sunday's Oscars were about as black as they could be, given that no black people had been nominated in any high-profile categories.

Of course, Rock brought the pain, as he always does, in a razor-sharp monologue skewering sensibilities on all sides of the #OscarsSoWhite debate. And his comedy bits throughout the show kept up a steady drumbeat, reminding audiences in the hall and at home just who had been left behind.

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If you're tired of overwhelming whiteness at the Academy Awards, you're in good company. Famous people and normals alike have expressed indignation over the fact that for the second year in a row, zero people of color were nominated for any acting award.

When the Sundance Film Festival kicked off last month, the subject of diversity was in the air. Just days after the Academy of Motion Pictures rekindled the debate on #OscarsSoWhite, thousands of filmmakers and journalists decamped to Park City, Utah's snowy mountains to discover new indie gems and meet the auteurs of tomorrow.

It turns out that if you ask the Academy at large who are the best directors, you get a very different answer from the one you get if you ask the Directors Guild of America (DGA). The DGA nominations a couple of days ago went to Ben Affleck for Argo, Kathryn Bigelow for Zero Dark Thirty, Tom Hooper for Les Miserables, Ang Lee for Life Of Pi, and Steven Spielberg for Lincoln.

At the Oscars

Feb 24, 2011
NMCIL ortiz domney / Flickr

And the winner is…

Music and movies have pretty much always gone together. What would Butch Cassidy and the Sundance Kid be without “Raindrops Keep Falling On My Head”? Try to imagine The Wizard of Oz without “Over the Rainbow”. Or Blue Velvet without “Blue Moon”. Okay stop imagining now.

It doesn’t take a good movie to produce an Oscar winning song. For example, The Poseidon Adventure produced the Oscar winner “The Morning After”, and Towering Inferno gave us “We May Never Love Like This Again.”