Robin Hilton

Robin Hilton is the producer and co-host for the popular NPR Music show All Songs Considered.

In addition to his work on All Songs, Hilton produces NPR Music live concerts and festival coverage across the country, including live broadcasts and webcasts from the Bonnaroo and Sasquatch festivals, South by Southwest and the Newport Folk Festival.

Prior to joining NPR in 2000, Hilton co-founded Small Good Thing Productions, a non-profit production company for independent film, radio and music in Athens, GA.

Hilton lived and worked in Japan as a translator for the government, and taught English as a second language to junior high school students.

From 1989 to 1996, Hilton worked for NPR member stations KANU and WUGA as a senior producer and assistant news director and was a long-time contributing reporter to NPR's daily news programs All Things Considered and Morning Edition.

Hilton is a multi-instrumentalist and composer. His original scores have appeared in work from National Geographic, Center Stage and, most recently, in the documentary film Open Secret. You can hear some of his music here.

Along the way, Hilton worked as an emergency room orderly, a blackjack dealer and a fruitcake factory assembly lineman.

"I'm in a talkative mood," Jack White told the sold-out crowd at Hollywood's historic Fonda Theater. Though it ended up being one of the few comments the singer and guitarist made during the performance, White frequently threw it to the audience for the refrains of several White Stripes songs, including "Fell In Love With A Girl," "We're Going To Be Friends," and the thrilling encore closer "Seven Nation Army."

Michael Benjamin Lerner is the drummer, lead singer and songwriter behind the Seattle-based band Telekinesis. There are times, while listening to his music, when I think it's just about the greatest pop band on the planet. Every song is perfectly realized and memorable.

Michael sits in as our guest Quizmaster for this week's puzzler, sharing fills and intros from some of his favorite drummers who've inspired his own work. Good luck, close-listeners!

This week, we asked you to think about the end of your life. If you could pick it, what would you like the last song you ever hear to be? For me, it was easy. Pink Floyd's "Great Gig in the Sky," from Dark Side of the Moon would send me off into the unknown with its perfect mix of sorrow, anguish, majestic awe and celestial wonder.

Few things make us cringe quite like hearing about the untimely death of a musical instrument. A table or an appliance may be swept away by a hurricane, or a set of golf clubs may be mangled by baggage handlers, but they don't hold quite the emotional pull of seeing a crushed guitar or piano. It feels like something living has died.

Stop motion with live actors is nothing new in music videos. The Beatles did it nearly 50 years ago for the film A Hard Days Night. Peter Gabriel's 1986 "Sledgehammer" video is still mind-blowing. But few have done it as elegantly as Canadian rock duo The Zolas do for the band's mesmerizing, and amazing new video, "Knot In My Heart."

This past weekend's post from Emily White, our current All Songs Considered intern, provoked heated discussion about the current state and possible future of music consumption and creation. Emily's personal essay — as a young person who came of age after the moment when music became widely available digitally — was about the evolution of her views toward the music industry, artists and how to support them, as those issues relate to rapidly changing technology.

The Los Angeles-based singer Simone White has a voice like ether. It's sweetly airy and hypnotic. Hearing it can pull you under to a strangely beautiful, glittering world where nothing seems real.

On "In The Water Where The City Ends," from her latest record, Silver Silver, White's voice is at its most haunting as she recalls, in disjointed poetry, the tsunami that devastated Japan's Tohoku region last year.