Nick Morrison

Production Manager/ Jazz & Blues Host

Nick began working at KPLU as a program host in the late 1980’s and, with the exception of a relatively brief hiatus, has been with the station ever since. Along with his work as a Midday Jazz host, Nick worked for several years as KPLU’s Music Director. He is now the station’s Production Manager and also serves as a fill-in host on KPLU’s jazz and blues programs.

Among his many memorable KPLU moments, Nick vividly recalls his pleasure and amazement when jazz guitarist, Larry Coryell, visited the studios during his program and performed a solo, acoustic guitar version of George Gershwin’s ‘Rhapsody In Blue.’ It still stands as one of the most wonderful live music performances he’s ever seen.

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Blues singer and harmonica player, Kim Wilson, thinks it’s very healthy for people to drop their emotional guard every now and then and let themselves get smacked around by a great blues performance. 

William Gottlieb / Library of Congress via Flickr

KPLU's Nick Morrison is glad the word "robust" is coming back into common parlance. He says that's the perfect word to describe the Texas Tenor saxophone sound. He's compiled a list of five titans of Texas Tenor.

William Gottlieb/Library of Congress via Flickr

When jazz fans talk about the Texas Tenor saxophone sound, they're talking about a sound which is very robust, sometimes raw, and which mixes the musical vocabularies of swing, bebop, blues and R&B

It's that honking, bar-walking saxophone sound that used to blast from jukeboxes coast-to-coast. Here are five examples of that sound from saxophonists who hail (and wail) from Texas.

Justin Steyer / KPLU

In this studio session, we welcomed Donald Harrison (alto saxophone, congas) and Glen David Andrews (trombone), both of whom were born in New Orleans’ Treme neighborhood, cut their musical teeth on the music of Treme, and can be seen in the HBO television series, Treme

Currently they’re also part of an ever-changing line-up of New Orleans musicians touring with a show called A Night In Treme which is bringing the music of Treme’s Congo Square to cities all over America - including Seattle's Jazz Alley through Sunday night.

Justin Steyer / KPLU

Relive last week’s studio session with vocalist/pianist, Karrin Allyson, who was joined by guitarist Rod Fleeman.

Associated Press

When blues guitarist and vocalist Stevie Ray Vaughan released Texas Flood in 1983, he introduced Texas blues to a much broader audience than it had previously known. His impact was great enough that even today, 21 years after his death, if you ask a music lover to name a Texas blues guitarist, he or she will probably reply, "Stevie Ray Vaughan."

But, like many great musicians, Vaughan was not sui generis. He synthesized his unique style by combining a huge number of influences from Albert King and Johnny "Guitar" Watson to Lonnie Mack and Kenny Burrell. That being the case, here's a list of five Texas bluesmen (out of many) who, in addition to creating their own great legacies, paved the way for Vaughan to create a great legacy of his own.

Katie Weilbacher / Flickr

With the non-summer we've been having and the fact that a lot of people can't afford to get away, allow us to give you a vacation for your mind.

Think beaches. Sunshine. Frozen drinks. Your soundtrack? Five great musicians who hail from the Caribbean.

Justin Steyer / KPLU

I’ve known Jazz Alley manager, Rob Perry, for almost 30 years.  At the end of July, Rob will retire from that job and I will join the many, many Jazz Alley habitués who will miss him.  In fact, though I sort of envy Rob for getting to retire while he’s still good-lookin’, we’re all gonna miss his presence at the club a lot.

Bo Nash / Flickr

Memphis, Tenn., is known as the birthplace of rock 'n roll. But KPLU's Nick Morrison says it should also be known for the blues.

Nick gives five examples of how Memphis and its neighbor, West Memphis, Ark., rank right up there with the Mississippi Delta and Chicago when it comes to launching the careers of influential blues artists.

When Julian Lage was 8 years old, his skill as a guitarist was the subject of a documentary film, Jules at Eight. Before he entered his teens, he had already performed with Carlos Santana and jazz vibraphonist, Gary Burton.

He made his first jazz recording with Burton at age 15, and at age 22 he released his first CD as a band leader. Now, at the ripe old age of 24, he's just released his second CD, called Gladwell.

To celebrate and promote the new recording, Julian is traveling the country with his quintet, and stopped by the KPLU studios last week to treat us to three delightful pieces of music.

Pianist, vocalist, producer and songwriting legend (and Rock n Roll Hall Of Fame inductee), Allen Toussaint stopped by the KPLU studios on June 1 and took us on a sweet and uplifting trip to New Orleans with his music.

Mr. Toussaint has crossed many paths in his illustrious career in music. He has produced, written for, and performed with music giants such as Dr. John, Paul McCartney, Paul Simon, Elvis Costello, Boz Scaggs and Irma Thomas to name a few.

We were pleased to welcome jazz violin virtuoso, Regina Carter to the KPLU studios on June 1 for a unique performance and interview with Evening Jazz host, Abe Beeson.

Accompanying Carter were Will Holshouser on accordion, and Yacouba Sissoko on the kora, a beautiful and unique African harp. The trio performed two selections from Carter’s latest CD, Reverse Thread: Kanou and N’teri (video below) which explore African music in very fresh, surprising and delightful ways.

Pianist, Taylor Eigsti and vocalist/guitarist, Becca Stevens, stopped by the KPLU Seattle studios on May 16th to brighten an otherwise rainy Monday afternoon in the Pacific Northwest with an performance and interview, hosted by Evening Jazz host Abe Beeson.

Some jazz singers excel at singing standards. Others excel at scat-singing or vocalese (writing lyrics for instrumental improvisations and singing them). However, Grammy award-winning vocalist Kurt Elling can do it all.

He easily proved it in front of a small studio audience of Leadership Circle members on April 15th with along with two long-time musical colleagues; pianist, Laurence Hobgood, and guitarist, John McLean.

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