Florangela Davila

Lead Artscape Reporter

Florangela Davila  has been a journalist since 1992. For 14 years she worked at The Seattle Times where she covered both news and features. She's been freelancing for KPLU since 2008, reporting and producing as well as helping coordinate the station's "Looking Back to Look Forward" documentary project. She's also a lecturer in the Department of Communication at the University of Washington. Florangela received her B.A. from U.C. Berkeley and her Master's in Journalism from Columbia University. She's been both an arts consumer and an arts practitioner for as long as she can remember.

Photo by Rozarii Lynch

Seattle Opera’s latest production is “Don Quixote.” The show is a spectacle, featuring sets that look like humongous books; computer-animated windmills; and flamenco dancers.

The cast also features a memorable pair from Bothell who is making its operatic debut: Millie, a donkey, and Desperado, a horse.

Courtesy of Jeffrey Alan Smith

Right from the beginning, the Lakewood Playhouse made an impression on Minnesota-transplant Jeffrey Alan Smith.

"When I auditioned for the show, I was kind of taken aback because I’d never seen a theater in a mall."

Yes, a mall, with an Old Navy and a Bed, Bath and Beyond.  But the Lakewood Towne Center also has a 160-seat theater called the Lakewood Playhouse.  And this is where 23-year-old Smith has gotten his theatrical break.

Dr. Kyo Koike, c. 1922. Gelatin silver print. University of Washington Libraries, Special Collections, UW29042z

They were a dedicated group of mostly Japanese photographers from the 1920s whose work at the time was known all over the world.

But until now, there hasn't been much attention here on the Seattle Camera Club and its style of photography that some academics have dismissed.

A new exhibit opening at the Henry Art Gallery at the University of Washington --  “Shadows of a Fleeting World: Pictorial Photography and the Seattle Camera Club” -- showcases 200 black-and-white and sepia-toned images. Photos of awesome Mount Rainier and delicate ballerinas, such as Anna Pavlova who was visiting from Russia.

Photo by Weatherly Schiele

Go ahead and joke about the bagpipe: It sounds like a dying cat!

Just don't joke in front of 15-year-old Alexander Schiele. The Snohomish resident plays in two Northwest Highland pipe bands and commutes twice a week to Vancouver, B.C. just to learn from some of the world's best.
Nothing compares to playing the pipes, he says, while rehearsing with the Northwest Junior White Spot United Pipe Band in Shoreline on a recent Sunday night.

Photo by Chris Bennion

Actor Renata Friedman has a distinct look that sometimes cost her roles when she was in college.

"I wasn’t the traditional cute, beautiful blond girl who would be Juliet or Ophelia. I got cast as Hamlet. And did Richard II. I was always playing men. There were times that I resented that and would have loved to have played a little love story and have a stage kiss," she says.

La Vie Photography

On this morning, Olivier Wevers is playing the role of costume manager, digging into a plastic bag and pulling out a pair of casual tank tops to give to his dancers.

George Shangrow
Photo by John Cornicello

A Seattle musical institution and its volunteer performers find strength in the memory of the group's founder, a man whose creative energy remains an inspiration to move forward following his death earlier this year.

Chris Bennion / ACT

There's about 180 roles in Pacific Northwest Ballet's Nutcracker. There’s also some engaging props like a Christmas tree that grows right before your eyes, and one enormous rat with a twitching tale.

But the snow scene – the first time Clara dances with her Nutcracker-turned Prince is the sight to behold.

The couple dance in the moonlight, surrounded by ballerina snowflakes dressed in pale blue skirts. A dusting of snow falls throughout the scene.

Courtesy of MOHAI

I’m one of those people who carries a bulging, heavy handbag, crammed with so much stuff that I can’t always find my cellphone. But heavy or not, it’s my attempt at making a fashon statement. It’s the color of a tangerine.

Walk into the galleries at Seattle’s Museum of History and Industry (MOHAI)and it’s impossible not to size up your purse.

Over here, from the '30s, a bag made out of Bakelite is the color of butterscotch. And from the 1990s, stylish Prada and Kate Spade bags.

There’s a century’s worth of purses, made out of sealskin, clam shells, cantaloupe seeds, even cigarette wrappers and aluminum can tabs. Purses meant to be worn under clothes or proudly shown off.

And purses from the turn of the century that weren’t even meant for one’s arm.

In addition to chamber music, the Olympic Music Festival offers patrons a chance
Florangela Davila / KPLU

It's 24 hours before performance time out here on the Olympic Peninusula, so while the grounds are getting soaked by sprinklers, I walk into a barn being bathed in Mozart.

A string quartet rehearses -- A pair of violinists, a cellist, a violist - all focused on perfecting music written for an intimate setting.

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Kate Whoriskey
Chad Batka / Courtesy Photo

For the first time in her theatrical career, Kate Whoriskey can contemplate decorating an office. Because now she actually has one.
"I'm trying to work on posters and I'm hoping to do something with the ceiling. Because it's a little bit barren," she says.
Except for an orchid and a couple of stuffed animals for her 21- month-old son Rory, there isn't much else personalizing her new space. But she's still transitioning - from New York theater freelancer to artistic director at Seattle's Intiman Theatre.
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Bret Walker
Cass Walker / Courtesy Photo

The photos stand in a homey, makeshift gallery. On the floor of a garage in Clyde Hill. Owner Cass Walker has moved the cars out of the way to make room for her series of large mostly black- and-white images that tell the story of her older brother Bret.

View the full story, along with images and audio.

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