Eric Deggans

Eric Deggans is NPR's first full-time TV critic.

Deggans came to NPR in 2013 from the Tampa Bay Times, where he served a TV/Media Critic and in other roles for nearly 20 years. A journalist for more than 20 years, he is also the author of Race-Baiter: How the Media Wields Dangerous Words to Divide a Nation, a look at how prejudice, racism and sexism fuels some elements of modern media, published in October 2012, by Palgrave Macmillan.

In August 2013, Deggans guest hosted CNN's media analysis show Reliable Sources, joining a select group of journalists and media critics filling in for departed host Howard Kurtz. Earlier in the same month, he was awarded the Florida Press Club's first-ever Diversity award, honoring his coverage of issues involving race and media. He received the Legacy award from the National Association of Black Journalists' A&E Task Force, an honor bestowed to "seasoned A&E journalists who are at the top of their careers." Deggans serves on the board of educators, journalists and media experts who select the George Foster Peabody Awards for excellence in electronic media.

He also has joined a prestigious group of contributors to the first ethics book created in conjunction with the Poynter Institute for Media Studies for journalism's digital age: The New Ethics of Journalism, published in August 2013, by Sage/CQ Press.

Deggans has won reporting and writing awards from the Society for Features Journalism, American Association of Sunday and Feature Editors, the Society of Professional Journalists, the National Association of Black Journalists, The Florida Press Club and the Florida Society of News Editors. In 2010, he made national headlines interviewing former USDA official Shirley Sherrod at the NABJ's summer convention in San Diego, leading a panel discussion that was covered by all the major cable news and network TV morning shows.

Named in 2009, as one of Ebony magazine's "Power 150" – a list of influential black Americans which also included Oprah Winfrey and PBS host Gwen Ifill – Deggans was selected to lecture at Columbia University's prestigious Graduate School of Journalism in 2008 and 2005. He has lectured or taught as an adjunct professor at Loyola University, California State University, Indiana University, University of Tampa, Eckerd College and many other colleges.

His writing has also appeared in the New York Times online, Salon magazine, CNN.com, the Washington Post, Village Voice, VIBE magazine, Chicago Tribune, Detroit Free Press, Chicago Sun-Times, Seattle Times, Emmy magazine, Newsmax magazine, Rolling Stone Online and a host of other newspapers across the country.

From 2004 to 2005, Deggans sat on the then-St. Petersburg Times editorial board and wrote bylined opinion columns. From 1997 to 2004, he worked as TV critic for the Times, crafting reviews, news stories and long-range trend pieces on the state of the media industry both locally and nationally. He originally joined the paper as its pop music critic in November 1995. He has worked at the Asbury Park Press in New Jersey and both the Pittsburgh Post-Gazette and Pittsburgh Press newspapers in Pennsylvania.

Now serving as chair of the Media Monitoring Committee for the National Association of Black Journalists, he has also served on the board of directors for the national Television Critics Association and on the board of the Mid-Florida Society of Professional Journalists.

Additionally, he worked as a professional drummer in the 1980s, touring and performing with Motown recording artists The Voyage Band throughout the Midwest and in Osaka, Japan. He continues to perform with area bands and recording artists as a drummer, bassist and vocalist.

Deggans earned a Bachelor of Arts in political science and journalism from Indiana University.

When I was a kid, I loved reading Gene Siskel's movie reviews for the Chicago Tribune.

As the CIA and Senate Intelligence Committee clash over whether so-called enhanced interrogation techniques are considered torture, another question arises: Have depictions of torture on TV and film helped convince us that it works?

Consider this warning that recently greeted viewers of ABC's political soap opera, Scandal:

"The following drama contains adult content. Viewer discretion is advised."

Sons of Anarchy is probably the most macho drama on television, featuring a gang of gun-running, porn-making bikers.

But the biggest moment of the final season has featured a woman: Gemma Teller (played by Katey Sagal), mother to biker club president Jax Teller. Gemma admitted killing Jax's wife, Tara, and lying about it, which started a gang war.

When Gemma finally came clean, Jax insisted she pay the ultimate price.

Now more than ever, America needs productive conversations about race, stereotyping, police, crime and social justice. And too often, our national media continues to fall short.

After many years of dissecting how race works in media, I was both disappointed and but, sadly, not surprised by much of the coverage so far. It repeats many of the same mistakes we've seen for years in how we talk about race-fueled controversies in America.

We don't have the right conversations.

It's one of the biggest ironies of NBC's gamble tonight with the blockbuster production Peter Pan Live!

This incredibly earnest TV musical just might succeed if enough people hate it.

Language advisory: Quotes from The Walking Dead in this story contain language some find offensive.


For The Walking Dead, it was less like a conversation between two characters and more like a mini manifesto.

The moment came during an episode called "Four Walls and Roof," as Bob Stookey spoke to hero Rick Grimes about a central theme this season: keeping your humanity in midst of a zombie apocalypse.

Jon Stewart may be the only media figure who started his election coverage Tuesday with an apology.

"I did vote today ... I was being flip and it kind of took off," said Stewart, who had told CNN anchor Christiane Amanpour in an interview earlier Tuesday that he wasn't voting because he "had just moved, and I don't even know where my thing is." The comment sparked loads of stories about how the comedian wasn't voting in an election he had been talking about for months.

When it comes to original TV series, it's tough to understand exactly where Amazon is going.

At first, its strategy seemed simple: It went where big-ticket competitors like Netflix and HBO didn't, greenlighting comedies like Garry Trudeau's political satire Alpha House and the Silicon Valley series Betas, along with a raft of kids' shows.

At first glance, Adam Richman and Anthony Cumia might not seem to have much in common.

True enough, they are media stars who took a hard fall thanks to untoward comments on social media. Richman, a host on the Travel Channel, saw the debut of his new show delayed indefinitely after an online spat led him to suggest one critic commit suicide.

Even the snobbiest entertainment fan has got to admit it: Television is pretty good these days.

So it's easy to get distracted by talk of big-ticket dramas like Game of Thrones, The Walking Dead or Orange Is the New Black. But the fact is, there's a whole wide universe of TV shows out there that aren't trying to top critics' best-of lists, make the short list at the Emmys or get recapped on Vulture.com.

Barbara Walters retires from daily television work on the May 15 edition of The View. As NPR's TV critic Eric Deggans notes, Walters may just be the real parent of today's TV journalists, who often meld the worlds of entertainment and news.

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Transcript

He's known as an astute comic observer with an unerring ability to skewer the most hypocritical moments of modern life. But it turns out Louis C.K. can also be a surprising example of TV's double standard when it comes to men, women and weight. He complains about his tubby body in part of his standup act. But on his TV show, his love interests are often beautiful, thin actresses like Parker Posey and Yvonne Strahovski.

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